Jessica R.J. Fraser just won another Laurel for her short film Seashells! She is named as a semi-finalist in the Best Film Awards, Best Director competition out of London, England. We’re very pleased to have her work recognized internationally!
We’re so EXCITED here because Jessica Fraser’s films “Still” and “Seashells” were part of the Bright Ideas Film Festival! You can now view these two short films on Vimeo for a limited time. You can vote for your favorites of the festival! They’re rerunning most of the festival this week! Runs from now to Dec 26th, 2020 8 p.m. Pacific.
still – by Jessica fraser
“Still” is Jessica’s stop-motion skateboarding film. She did all of this by herself including music, special effects, direction and writing. Personally, I love what she did with the titles.
There is an online book launch for Stellar Evolutions this Monday, December 1, 2020.
It’s available to SF Canada members and others via FaceBook.
I will not post the link here as I’ve seen at least two examples of ‘zoom bombers’ and I don’t want interruptions to the event.
So pleased to be in this book! I congratulate Rhea Rose on the creation of this ‘Best of” volume as well as R. Graeme Cameron for his hard work editing and producing Polar Borealis!
November 2020 Stellar Evolutions
Stellar Evolutions is published and available on Amazon.ca for kindle and is also available as a print book if you like on Amazon.ca. Stellar Evolutions contains two of my poems: A New Day and Law of Love. This anthology features poetry and stories in the areas of science fiction and fantasy.
A particularly interesting collection because it features emerging Canadian writers, covers a broad swath of Canadian speculative fiction, and includes as much poetry as prose.” –Robert Runte–Author, editor, critic of Canadian speculative fiction.
Oh, Canada! Welcome to this world-bending collection of speculative writing Canadian style. Between these boreal covers, a compilation of must-read fantastic fiction by trending and diverse authors will take readers to the next level of story discovery.
This gathering showcases stories and poetry by many award-winning, award-nominated, yet diverse authors’ and their best works, selected exclusively from Polar Borealis Magazine, a Canadian speculative fiction publication dedicated to discovering the finest ideas in a large land of divergent narratives. folklore where sleepy felines are purrfectly unpredictable, if not damned.
The week before Frontières and couple of great things happened to Lights, Camera, Paranormal Action!
I got this wonderful banner via the tremendous and generous talents of Kelman Design and Glen Schroeder working on the “Movie Poster” for me. At Frontières, I’ll show a full page movie poster with cool backgrounds and more visual representation of the story in it. It’s thanks to the wonderful WIFT program that this is happening and I’m very pleased.
The Dark Side winners, myself included, had a 2 hour pitch consultation from Jan Miller. It was a great experience and I heard wise advice, not just for my pitch and project but for all four of us. I must now complete my one-pager for the festival and submit that by Wednesday next week. There are so many ways to pitch and it just isn’t something I’ve done a lot. All of my sales were done to people I already knew, who asked for written story ideas. But that was in television, and I was working on shows that were looking for stories. This is my movie and it is looking for a producer.
At Frontières my pitch is in the Created by Women Pitch Session, presented by Telefilm Canada with Women in Film + Television Vancouver. I’m so pleased to be able to showcase my first feature project along with the other 3 up-and-coming female screenwriters from across Canada. This year we are doing it via Zoom. Previously, the festival was in person and it would have been daunting to go up on a big stage to present my story. However, I also have some trepidation about delivering on Zoom. We have many questions yet and next week will be important for our preparations. The pitch itself can only be five minutes, then they give us a Question & Answer period with the panel of experts. Plus, while the Market is going on, we can have meetings with producers, distributors, sales agents, and other interesting people, with a view to pursuing the project.
I feel very lucky this week! I also won an Honorable Mention in a short story contest. See my Bibliography for more info.
I’ve been working on my script “Lights, Camera, Paranormal Action!” since the #DarkSide week in early March. It’s done to first draft now at 105 pages. First drafts in film and TV are really ‘starting points’. You need to get through a few drafts before sending it anywhere serious. So, it’s not yet at the point where I’m sending it out to producers. I’m looking at a rewrite or two before July’s pitching at the digital edition of the Frontières International Co-Production Market – July 23-26, 2020.
Next step is the story editing which is provided by Women in Film. I’m really pleased to have another set of eyes on it. So far, only one writer friend has read LCPA and she likes it, so that’s good! However, I’ll need some critiquing to get it into super shape for pitching and for selling ultimately.
Graphics design – I’m so pleased to be working with Kelman Design – Keli Manson and Glen Schroeder on the design of my pitch poster! I can’t reveal any of the design yet, but it’s truly wonderful. I want to put it on all of my things! It’s not done yet, there are phases to developing a great graphic for something like this and I’m learning about what my Designers need to know in order to proceed.
The image must be something useful for the Market but also something that is a true sales tool. It needs to tell them what they are (potentially) buying, using images, colours, fonts, tone, and texture.