Cybersix back in my life

I spent about 10 hours in June on Cybersix! I was asked to do a voiceover with commentary re-watch of my #cybersix episode “Terra” for the upcoming blu-ray edition. The show was done about 25 years ago. So difficult to know what to say after that long! I honestly did not keep every scrap of paper on its evolution as a script, but I did locate and read my final (5th draft) script for the episode. I was able to note certain additions the director, storyboard and animation team added, as I compared final script with final cut of show.

I told my anecdotes about it, too. I won’t spoil those here by retelling- I hope the blu-ray Cybersix is successful! Thanks for the memories!

Cybersix and Data7 her black panther
Cybersix in her hat sleuthing

Cybersix back in my life

I spent about 10 hours this year on Cybersix! I was asked to do a voiceover with commentary re-watch of my #cybersix episode “Terra” for the upcoming blu-ray edition. The show was done about 25 years ago. So difficult to know what to say after that long! I honestly did not keep every scrap of paper on its evolution as a script, but I did locate and read my final (5th draft) script for the episode. I was able to note certain additions the director, storyboard and animation team added, as I compared final script with final cut of show.

I told my anecdotes about it, too. I won’t spoil those here by retelling- I hope the blu-ray Cybersix is successful! Thanks for the memories!

Cybersix and Data7 her black panther
Cybersix in her hat sleuthing

2023 LCPA Pilot SCREENPLAY ACCOLADE

So pleased to get a Coverfly accolade – Top 37% for LCPA the Pilot! It received very nice coverage from the TSL Free Screenplay competition this month which gave its own accolade! This is significant because this competition gets close to twelve thousand entries!

Writing for TV & Film – For Apex

Writing for TV & Film presentation covers for APEX Writers Group 2022

I just finished two Saturdays of presentations for the APEX writers group. This is a great group of mostly science fiction and fantasy writers who are trying to learn to be better at what we do. I’ve met a lot of new friends in SFF who are, like me, interested in getting better at their creative writing.

My presentations were on Writing for Film and TV. The first one was about the field in general, answering a lot of questions about ‘who’s who’ and what ‘pitching’ is. The second presentation was on how to turn a short story into a script.

For those interested in being part of APEX, you find them at https://www.apex-writers.com/. Originated by David Farland, an award-winning writer of fantasy and science fiction, the group continues on after his passing, providing encouragement, motivation and learning opportunities for members.

Screenwriting August 2020

Lights, Camera, Paranormal Action! prep for Frontières

The script for “Lights, Camera, Paranormal Action” is available to interested producers now.

My first list consists of the producers I met in late July at Frontieres Film market.

I also added the list of local producers I met in March at the WIFT-V festival during their pitch sessions.

It was wonderful to realize that there are people actively looking for new scripts.

I’ve now sent it to producers who agreed to read it during our meeting.

I loved the experience of meeting the producers and was pleased with the level of interest the script garnered.

More Writer News

  • Two of my poems have been chosen to be in “Stellar Evolution” a ‘best of’ anthology coming out this Autumn/Winter in Canada. Really pleased about that!
  • Also, I won an Honorable Mention in the WOTF Quarter 2 results for my story “Tail Creek”. I’m still hoping to sell that one, now with the ‘win’, maybe I can.
Lights, Camera, paranormal Action
image of Cat girczyc screenwriter card
My new card

How to get into TV & Film in Canada

Jwithpuppetback

  • My advice is twofold:

1.  Look for a day job in film.

Anyone interested in film and TV should work in it even for a short time – in any capacity!  Look for ways to get onto a film union list, starting as a PA maybe even? There are many jobs, too, not all of them on shoots.  This  includes the behind-the-scenes stuff or animation, distribution, etcetera.  That way you really get a feel for your field & make contacts.  I’m not a hugely successful TV writer, but I’ve sold over 15 scripts and all of them due to personal contacts – not the 2 agents (!).

2.  Sell what scripts you have in the best way possible.  I often use a real estate metaphor, because it is the same, believe it or not.  As I learned the hard way, a local agent here like Integral or Characters won’t ‘sell’ your big script or new TV series idea.  They’ll offer the ‘houses’ they have at their level – think Surrey.  If you have a Shaughnessy mansion of a script, go to an LA agent.  Many of them will look at new stuff from young writers. I will say that even a Vancouver agent would be good to start your talks with any producer though.

In this light, check out the Writers Guild of Canada. You can’t join until you have a credit, but they sometimes have open events and checking the website for good materials and references is good. WGC is the Canadian version of the WGA, in fact we have sharing $$ agreements with them.

So, for example, if you are ready to look for an agent, look at the public list on the WGC site: http://www.wgc.ca/resources/agents.html

It’s usually possible to meet with Canadian agents if you have a project.  I’m currently not agented, due to the fact that I had to turn down the last 3 offers in a row (for bad reality shows that pay poorly).

All my work’s sold solely due to industry contacts but having an agent may have gotten me ‘in the door’.  I have had 2 agents, both Canadian and neither earned me a cent I didn’t find myself.  However, if you have a fantastic script, ready to go, for a movie, for example, you should try to get an agent to help you sell it.

I usually write TV episodes, so my work’s differently focused. If it’s a huge script – the Hollywood style ones have to be agented in the USA – our agents just don’t have the contacts to sell huge scripts.  Check out the Hollywood Screenwriting Directory for ‘who to send it to’. https://www.writersstore.com/hollywood-screenwriting-directory  It costs $29 US but is worth it.

Links:

TO film list – good for applying to current films. These are often updated: https://www1.toronto.ca/static_files/economic_development_and_culture/docs/currently_filming.pdf

BC file list – from the DGC site

https://www.dgc.ca/bc/production_list/Production%20List.pdf

Unions to check out:

Vancouver: ACFC is the easiest to get into. They don’t have ‘all’ the productions but they usually have something and are more willing to train.  See http://www.acfcwest.com/become.html

ACFC also has a list of great links for beginners in film: http://www.acfcwest.com/industry.html  They have a Production Office area and it’s good if he wants to get some local experience.  Pay rates are lower than IATSE and hours sometimes longer but it’s a way in. Most ACFC members eventually join IATSE.

IATSE:  This I’d recommend only if he’s going the ‘office’ route first.  https://www.iatse.com/ Local 891 is Vancouver.  It’s more or less a route to get into an office and see production and work from there.

DGC: This is where locations starts, also directors.  But I never have seen Locations lead to writing gigs, they’re too far from the office and the writers.  If directing is your interest, though, it’s good.  They have offices in Vancouver and TO.

http://www.dgc.ca/en/index.cfm

The TV and film world can look like a jungle, but I’ve had some great experiences and earned a lot out there at times!

Cat

p.s. Below is from http://thecollectortv.com/36.html  and is the listing for 1 of my Collector tv series episodes.  Producers: Larry Sugar, Showrunners: Jon Cooksey and Ali Marie Matheson. The Collector is a wonderful show – a dark fantasy & I thoroughly enjoyed writing two episodes for it!

Collector website Ufologist

December musings

I’m starting the preparation for the big day – Christmas Day when I cook like I’m expecting a whole army but get only a small platoon.

What’s the ‘writer’ career up to during holidays? Especially vaca time away from busy corporate writing job?

So far, I’ve worked on changing a short story into a movie idea. It’s for a contest looking for dark SF, fantasy or horror shows. I normally don’t / can’t enter contests as they’re for people who haven’t sold yet or aren’t members of the WGC or WGA. But this one is a good excuse to adapt a story I have.

Also, I cook and see friends. No one does any real business this time of year in tv. Or film.

I’m also reading. I love books on writing. My newest acquisitions are kobo versions of Save The Cat by Blake Snyder and Max Adams updated version of one of my favorites The New Screenwriter’s Survival Guide.

Max Adams’ book is mostly for full-time movie writers but there are great tips for all of us.

I wish I’d re-read her chapters on agents before continuing with an agent who absolutely couldn’t sell me as a writer. Nice guy but not for me. I was too involved in trying to make a living and developing my day-job career as a tech writer to think about it.
To be fair, too I also didn’t generate the number of scripts needed per year to become a movie writer. The third time I turned down a gig from him, he dropped me which was expected, too. But the gigs weren’t totally ‘writing’ and not good enough to replace the day job.
Now I think I’ll be working on the prose and tv/film and only look for a new tv agent when I have a good portfolio built up.

20141220-132750-48470202.jpg
Ali Matheson photo gingerbread typewriter

 

20141220-132749-48469811.jpg
Christmas cactus blooming