My wer-skunk short story “The Lady M” received a tentative acceptance for publication, pending edits, from a prestigious Cdn SFF magazine! I’m waiting for the contract to properly announce this with full details, but it’s made my month! I’m so pleased! This was the story that won a Finalist position in WOTF 2022 Q1.
#WOTF Writers of the Future 2021 Q4 – Honorable Mention for my story “The New Tudors”. This is a tale of first contact marred by a historian, leading to very strange transactions for the Trading ship, the Quotidian, and Captain Abraya.
Photo by Tom Podmore on Unsplash
The script for “Lights, Camera, Paranormal Action” is available to interested producers now.
My first list consists of the producers I met in late July at Frontieres Film market.
I also added the list of local producers I met in March at the WIFT-V festival during their pitch sessions.
It was wonderful to realize that there are people actively looking for new scripts.
I’ve now sent it to producers who agreed to read it during our meeting.
I loved the experience of meeting the producers and was pleased with the level of interest the script garnered.
April’s NanoWriMo Camp month was good. I got about half my goal done. This is fine in my mind because I am crazy busy as usual: after day job, dance mum work and so forth, there is very little thinking time left. I’m famous at home for falling asleep on the laundry I’m folding. We had a big competition that required most of a week’s extra time and I can’t write while listening to dances in the Michael J. Fox theatre in Burnaby. Although I did keep my index cards with me and have thought of a few new plots.
My garden’s been planted now, too. That doesn’t take much effort, and I love my plots at the community garden at 39th and Alma. Sadly, it’s got a large sign up advertising the condos they’re building there. I hope we get a couple more years out of it.
Just submitted some stories that had been returned. It feels good to find new market sources. I just got an account on a submission portal called:
Hey Publisher . Hey Publisher is used by only a few SFF magazines but it has some interesting entries.
I always use the terrific site The Submission Grinder created by Diabolical Plots. Initially, it took a little getting used to, and if he had more $$ it could be far sleeker, but it does the job the very best of all of them.
I love the fact that it offers me searchable SFF markets with valuable data that I like to know. For example, is a market dead? they tend to know at The Grinder. They invite updates and are open to changes. Also, the statistics are comforting. How long have they held your story? Is it typically-long for them? Or not? Lots of great data there.
Then there are the electronic submissions portals such as: Moksha and Submittable. I use these to submit when a magazine requests this. I don’t use any other services on these am not certain if they have any.
I recall receiving a survey earlier this Spring wherein they were trying to figure out if writers would pay to submit. The answer is “No”. I was not impressed. We’re mostly submitting to markets that hardly pay (at least in television $$ terms), and it’s ridiculous to also be charged to do so.
The quote in Science fiction circles is:
“The money must always flow to the writer.”
I’m sorry I can’t recall who originated that one, but it was one of the greats.
I’ve been busy and haven’t updated the blog in a while. I just found a new app to do images with so have been playing with @canva. I hope it’s better than @piccollage, which I love but isn’t that sophisticated. So here are some images from our summer vacation. It was a bittersweet vacation. I love seeing my relatives and friends, but my father’s 89 and slipping away from us now due to cancer. So it was sad but I was very glad I splurged out to take us there. Plus, we did a lot of enjoyable visiting.
Got this blog Google verified tonight. Not that hard to do. Working on writing a lot lately even though the day job is being stubbornly time consuming. I don’t mind 40 hours a week, but 60 recalls the bad old days of film & TV…
“Wrasse” accepted by Neo-opsis Science Fiction Magazine! October 2017
Really excited to be in Neo-opsis which is one of Canada’s leading SF magazines!
For subscriptions, go to Neo-opsis Science Fiction Magazine
POLAR BOREALIS Magazine #2 is finally published and available for free download to anyone who wants to read it. It contains the following goodies:
Just go to http://polarborealis.ca and click on “Current/Back Issues” in the header, then scroll a short distance down to the link.
Cover art by Eric Chu
1. Look for a day job in film.
Anyone interested in film and TV should work in it even for a short time – in any capacity! Look for ways to get onto a film union list, starting as a PA maybe even? There are many jobs, too, not all of them on shoots. This includes the behind-the-scenes stuff or animation, distribution, etcetera. That way you really get a feel for your field & make contacts. I’m not a hugely successful TV writer, but I’ve sold over 15 scripts and all of them due to personal contacts – not the 2 agents (!).
2. Sell what scripts you have in the best way possible. I often use a real estate metaphor, because it is the same, believe it or not. As I learned the hard way, a local agent here like Integral or Characters won’t ‘sell’ your big script or new TV series idea. They’ll offer the ‘houses’ they have at their level – think Surrey. If you have a Shaughnessy mansion of a script, go to an LA agent. Many of them will look at new stuff from young writers. I will say that even a Vancouver agent would be good to start your talks with any producer though.
In this light, check out the Writers Guild of Canada. You can’t join until you have a credit, but they sometimes have open events and checking the website for good materials and references is good. WGC is the Canadian version of the WGA, in fact we have sharing $$ agreements with them.
So, for example, if you are ready to look for an agent, look at the public list on the WGC site: http://www.wgc.ca/resources/agents.html
It’s usually possible to meet with Canadian agents if you have a project. I’m currently not agented, due to the fact that I had to turn down the last 3 offers in a row (for bad reality shows that pay poorly).
All my work’s sold solely due to industry contacts but having an agent may have gotten me ‘in the door’. I have had 2 agents, both Canadian and neither earned me a cent I didn’t find myself. However, if you have a fantastic script, ready to go, for a movie, for example, you should try to get an agent to help you sell it.
I usually write TV episodes, so my work’s differently focused. If it’s a huge script – the Hollywood style ones have to be agented in the USA – our agents just don’t have the contacts to sell huge scripts. Check out the Hollywood Screenwriting Directory for ‘who to send it to’. https://www.writersstore.com/hollywood-screenwriting-directory It costs $29 US but is worth it.
Links:
TO film list – good for applying to current films. These are often updated: https://www1.toronto.ca/static_files/economic_development_and_culture/docs/currently_filming.pdf
BC file list – from the DGC site
https://www.dgc.ca/bc/production_list/Production%20List.pdf
Unions to check out:
Vancouver: ACFC is the easiest to get into. They don’t have ‘all’ the productions but they usually have something and are more willing to train. See http://www.acfcwest.com/become.html
ACFC also has a list of great links for beginners in film: http://www.acfcwest.com/industry.html They have a Production Office area and it’s good if he wants to get some local experience. Pay rates are lower than IATSE and hours sometimes longer but it’s a way in. Most ACFC members eventually join IATSE.
IATSE: This I’d recommend only if he’s going the ‘office’ route first. https://www.iatse.com/ Local 891 is Vancouver. It’s more or less a route to get into an office and see production and work from there.
DGC: This is where locations starts, also directors. But I never have seen Locations lead to writing gigs, they’re too far from the office and the writers. If directing is your interest, though, it’s good. They have offices in Vancouver and TO.
http://www.dgc.ca/en/index.cfm
The TV and film world can look like a jungle, but I’ve had some great experiences and earned a lot out there at times!
Cat
p.s. Below is from http://thecollectortv.com/36.html and is the listing for 1 of my Collector tv series episodes. Producers: Larry Sugar, Showrunners: Jon Cooksey and Ali Marie Matheson. The Collector is a wonderful show – a dark fantasy & I thoroughly enjoyed writing two episodes for it!
So this week, I found two places that are accepting unpublished novels (slush basically) for a short period of time. Both of them want about 50 pages of a novel from any author who wants their novel read by a big-time publisher. I think these are great opportunities for those of us in SF/F. So here they are:
I’m not certain I will go for it, though. I don’t want to send my novel off until I’m ready. I don’t have the 80k finished level and it’s not polished as yet. But it is tempting!
Like my old friend the tomcat KittyCat or Quonsi as his owners call him, I have to assess our chances of getting good things from each hunting expedition. Not entirely certain that being in a veritable mountain of slush novel submissions is the best presentation for me…
