So pleased to get a Coverfly accolade – Top 37% for LCPA the Pilot! It received very nice coverage from the TSL Free Screenplay competition this month which gave its own accolade! This is significant because this competition gets close to twelve thousand entries!
Thinking about annual goals is difficult for me. I hate setting wildly optimistic ones but later having to admit, that life and the day job got in the way of the creative writing.
Maybe the best thing for me in 2023 is to have a few key phrases to stand in for formal goals:
I think many writers put undue pressure on ourselves I regards to performance goals.. Every screenwriter thinks they should output more. Every novelist is in awe of someone who writes more novels per year than they do. I believe the key is still balance. Those who sacrifice quality of writing for quantity of words don’t keep their audiences. Balance is key, write as much as you can write well.
My between Christmas and New Year activity proceeds. The ‘knitting’ MOW that now takes place at Christmas is my first priority, but I’m also getting a few short stories out to SFF markets.
Jessica and I are “Film Gals” and I thought I’d share our Happy USA Thanksgiving card.
New writing news? I’ve got a lot of submissions out there again for short stories. Working on revisions of the three that I had WORDOS critique.
Excellent news! LCPA and my profile have combined to get me noticed! I’m part of Coverfly’s excellent Pitch Week program. We had an information call this week and then the invitations were sent out. I’m really excited to have a meeting as only about half of those chosen get actual meetings. They do a lot of work to interest industry professionals and get our materials in front of them.
For more information on Coverfly click here.
Jessica R.J. Fraser just won another Laurel for her short film Seashells! She is named as a semi-finalist in the Best Film Awards, Best Director competition out of London, England. We’re very pleased to have her work recognized internationally!
To view click here: Seashells
To find out about the Best Film Awards, follow @best_film_awards
We’re so EXCITED here because Jessica Fraser’s films “Still” and “Seashells” were part of the Bright Ideas Film Festival! You can now view these two short films on Vimeo for a limited time. You can vote for your favorites of the festival!
They’re rerunning most of the festival this week! Runs from now to Dec 26th, 2020 8 p.m. Pacific.
“Still” is Jessica’s stop-motion skateboarding film. She did all of this by herself including music, special effects, direction and writing. Personally, I love what she did with the titles.
“Still” is at 8 minutes & 13 seconds –>
Bright Ideas Film Festival 2020 – Screening 2, Part 2
“Seashells” is Jessica’s West Coast film about friendship. Again, she did it all except act one of the parts! This is a beautiful film.
“Seashells” is at 17 minutes & 30 seconds –>
Bright Ideas Film Festival 2020 – Screening 3, Part 1
BIFF- Audience Choice Vote- Screening 2 – Post Festival
BIFF- Audience Choice Vote- Screening 3 – Post Festival
Bright Ideas Film Festival was tremendous! Full of young eager filmmakers and their pieces! We watched it Saturday and were very impressed.
The script for “Lights, Camera, Paranormal Action” is available to interested producers now.
My first list consists of the producers I met in late July at Frontieres Film market.
I also added the list of local producers I met in March at the WIFT-V festival during their pitch sessions.
It was wonderful to realize that there are people actively looking for new scripts.
I’ve now sent it to producers who agreed to read it during our meeting.
I loved the experience of meeting the producers and was pleased with the level of interest the script garnered.
I’ve been working on my script “Lights, Camera, Paranormal Action!” since the #DarkSide week in early March. It’s done to first draft now at 105 pages. First drafts in film and TV are really ‘starting points’. You need to get through a few drafts before sending it anywhere serious. So, it’s not yet at the point where I’m sending it out to producers. I’m looking at a rewrite or two before July’s pitching at the digital edition of the Frontières International Co-Production Market – July 23-26, 2020.
Next step is the story editing which is provided by Women in Film. I’m really pleased to have another set of eyes on it. So far, only one writer friend has read LCPA and she likes it, so that’s good! However, I’ll need some critiquing to get it into super shape for pitching and for selling ultimately.
Graphics design – I’m so pleased to be working with Kelman Design – Keli Manson and Glen Schroeder on the design of my pitch poster! I can’t reveal any of the design yet, but it’s truly wonderful. I want to put it on all of my things! It’s not done yet, there are phases to developing a great graphic for something like this and I’m learning about what my Designers need to know in order to proceed.
The image must be something useful for the Market but also something that is a true sales tool. It needs to tell them what they are (potentially) buying, using images, colours, fonts, tone, and texture.
